![]() Advocates are not only calling for school funding to be restored, but are asking the court to stop the City from shortchanging public participation in education. Since the City Council voted to adopt Mayor Adams’ budget in June, outraged New Yorkers have taken to the streets - and the courts - in vehement protest. It just shows how little the City Council Members and Mayor Adams care about our schools and the well-being of students.” “I have seen firsthand how funding affects my student life and school environment. “After hearing about the potential $5 million funding cut to my school – and much more to thousands of public schools in the City - I felt enraged and disappointed,” Chloe told us. Chloe Liang, a rising senior at Fort Hamilton High School and a youth organizer in the NYCLU’s Teen Activist Project (TAP), has spent her summer vacation coming to terms with the direct impacts these cuts will have on her education. Funding that supports students’ futures and educators’ livelihoods shouldn’t be cut - especially not now, as our city emerges from the trauma of the pandemic.ĭata analyzed by Chalkbeat shows cuts could meet or exceed $5 million at a single school – Brooklyn’s Fort Hamilton High School. In his budget, Adams found enough cash to increase police spending but not enough to help schools retain student support, arts, and music programs. The sweeping cuts – estimated to top $300 million across 1,200 schools – demonstrate plainly the dangers of giving near total control over education to a mayor who does not value education. The City isn’t broke, and the State is sending New York City its portion of education funding without cuts, so why does Mayor Adams’ first budget slash classroom spending? ![]() Due to a $300 million budget cut to the City’s public schools, teachers, social workers, and other beloved school employees were told not to come back to work next year. ![]() ![]() It has been a summer of uncertainty and false scarcity for New York City’s schools. ![]()
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![]() ![]() Some have gotten Doom 3 to run on unsupported cards such as a 3dfx Voodoo2, however this video chipset was incapable of rendering anything beyond the polygons and textures, such as the per-pixel lighting and bump mapping. While John Carmack initially warned gamers not to purchase the GeForce 4 MX (which was an improved GeForce 2), its somewhat widespread adoption compelled id Software to enable Doom 3 to run on these cards, making it the only DirectX 7.0 chip capable of running Doom 3. Owners of pre-DirectX 8.0 cards were able to use a powerful CPU to compensate for the lack of hardware Transform, clipping, and lighting (T&L) in DirectX 7.0 titles, however DirectX 8.0 calculations were far too complex for a DirectX 7.0 card or a fast CPU. Id Tech 4 resulted in the obsolescence of DirectX 7.0 graphics chips such as the widespread GeForce 2 and Radeon 7200, as well as DirectX 6.0 chipsets such as RIVA TNT2 and Rage 128, and software rendering (with an integrated Intel GMA). By E3 2002, the recommended GPU was the Radeon 9700 while its DirectX 9.0 features are not necessary to render the game, its advanced architecture, 256-bit memory bus, and efficiency were needed to run Doom 3 at high detail and playable speed. Other important features of Doom 3 engine are normal mapping and specular highlighting of textures, realistic handling of object physics, dynamic, ambient soundtrack and multi-channel sound.Ī disadvantage of id Tech 4 was that it needed a high-end graphics processing unit (GPU), which was at least DirectX 8.0 compliant with fully programmable vertex and pixel shaders, such as the Nvidia GeForce 3 or ATI Radeon 8500, with 64 MB of VRAM. ![]() This allowed an in-game computer terminal to perform more than one function, such as a readily apparent door-unlocking button, combined with a more obscure function allowing an astute player to unlock a nearby weapons locker. Rather than using a simple "use key", the crosshair acts as a mouse cursor over the screens allowing the player to use a computer in the game world. To increase the interactivity with the game-world, id designed hundreds of high-resolution animated screens for in-game computers. To create a more movie-like atmosphere, id interspersed the gameplay with many in-game animated sequences of monsters ambushing the player or just lurking around. A shortcoming of this approach is the engine's inability to render soft shadows and global illumination.Īs well as dynamic lighting and shadows, the Doom 3 engine was id Software's first to make extensive use of bump mapping. This allows lights to cast shadows even on non-static objects such as monsters or machinery, which was impossible with static lightmaps. By contrast in the new Doom 3 engine, most light sources are computed on the fly. All 3D engines up to and including Quake III and Unreal Tournament had computed or rendered lightmaps during map creation, saving that information in the map data, which made the lighting extremely static. The key advance of the Doom 3 graphics engine is the unified lighting and shadowing.
![]() ![]() Like with the other ZED Time probabilities, odds grow over time if no ZED Time events has occured recently. Skill (Assassin, Ranger): Each time player scores a headshot (not necessary lethal) with on-perk weapons there is a 5% chance for ZED Time to appear.Recoil reduction is multiplicative with the Dead Eye skill: Recoil Mod = 1 x 0.75 x 0.9 = 0.675. Sharpshooter's passive recoil bonus works only with on-perk weapons. Firstly game calculates current recoil multiplier of the weapon and then decreases it by up to 25%. Passive (Recoil): Current recoil multiplier of the weapon is being decreased by up to 25%.All damage bonuses as well affect DOT damage of the Spitfire revolver. ![]() Passive damage bonus and Dead Eye skill work only on headshots and act like a normal bonuses - both provide more damage to body AND head health. ![]()
![]() ![]() For example, Shadow was set to 75% and Ambient Occlusion was set to 20% opacity. The way my compositing pipe works is by adding on different passes on top of the color with various opacities. įor compositors, it’s like playing with your AOVs to get new results. The AOVs I used were: Color, Ambient Occlusion, Shadow, Emission, and Cryptomattes. Instead of Nuke which I usually use, I worked directly in Blender’s compositor which made the process very streamlined. The kind of complicated part was the compositing pipeline. The lights influence the shadow pass and only their position impacts the result. That's why practicing and making different things can help you improve your modeling skills.Īs an example of something that isn't purely art, this post showcases 20 different ways to create moving Lego contraptions.įor things like grass, roof tiles, and vines, to speed up the process I used Geometry Nodes and modifiers like "Array" to scatter objects as a base which I spend time refining in Blender. ![]() If I've made a similar shape before, then I can recall the knowledge gained from that experience and try to improve on it. My mind defaults to figuring out how to hit a shape in the quickest and best-looking way possible. If you model enough in a lifetime, you become very fast and intuitive at it. To be honest, the only trick I have is setting my y-axis shortcut to "C". It helps you understand what you’re making. When you import an extremely detailed concept into Blender, you can see a lot but you might miss a detail or two if you’re not careful. When it came to the details, it was really hard to see them. I started with the big shapes and worked our way down to the smaller ones. In Blender, it was the standard approach. ![]() My workflow began in Maya but as I learned more about Blender, its selection tools, and its wonderful hotkeys I migrated the scene over. From there on, I was inspired to continue this pipeline and improve the quality of the work that followed it. I started a small project group called "D.R.E.W." which let me practice painting, lighting, and compositing, where I got a brief understanding of how Fortiche achieved Arcane. She answered a part of the question I've always been fascinated by: "How can you take 3D and make it feel 2D?"ĭuring my film studies, I saw a teaser trailer for Arcane six months after its release and I wanted to make something that looked like it and understand how they made it. The stylized part was inspired by Ashleigh Warner after I took her CGMA Course "Creating Stylized Game Assets". I got into 3D art after trudging through various different art paths like animating, compositing, and filmmaking in animation which I still like to do as a hobby to practice writing and make projects that aren’t still images. Hiya! I’m Brian Nguyen, a stylized 3D Artist, a person who loves fantasy and cute, weird, wild, and wonderful things. ![]() ![]() In June, Esther's father William Jones and manager Lou Bolton were charged for having a minor perform on stage one write-up of the incident suggested that William Jones was not Esther's birth parent. 1928 Įsther performed briefly at a nightclub called the Everglades Club, where she would do imitations of Florence Mills, late at night. While touring Spain, Esther was referenced as a member of "La Pandilla," the Spanish name for the Our Gang kids (taken from their alternate series name of "Hal Roach's Rascals") at least once, she was specifically tagged as the performer of Farina, due to her past imitations of him. Apart from his ongoing role in Our Gang comedies, Hoskins was an expert Charleston dancer, performing along with his sister "Baby Jane." Lou Bolton, Esther's first manager, used Hoskins' fame to promote Esther in the early years of her career the name formulation of Little (or Lil'/Li'l) Esther mimicked Hoskins' "Little Farina," a frequently-used nickname. The name "Farina's Kid Sister" derived from Allen "Farina" Hoskins, another African-American child star of the period. Florence Mills was noted for her "light, bright" voice and her use of wordless vocalizations such as "too-ty-tooty-too". ![]() Esther Jones was rarely called Baby Esther while performing, most commonly going by the names "Li'l Esther" and "Little Esther." Originally she was billed "Farina's Kid Sister," but was later known as the "Miniature Florence Mills", as Esther had started her career impersonating Florence Mills. Bolton went on to arrange engagements for Esther in Chicago, New York, Detroit, Toronto and other cities, after which he brought her to Europe. ![]() Russian-American theatrical manager Lou Bolton saw her performance and took her on, with her first performance purportedly being in a Chicago revue, Opera Versus Charleston. Esther's career began in the 1920s when she won first prize at a Charleston contest in Chicago at the age of six. Career īaby Esther lived in the "colored" neighborhood of Chicago with her mother and father. While touring Europe in 1930, Esther had already been honored, along with Josephine Hall, as representatives of both African-Americans and the United States of America. Fleischer court case, Bolton claimed that Kane first saw Esther perform in 1928, at which time Kane had a ringside seat with Shayne at the Everglades Club on Broadway. In 1928, Tony Shayne, Jones' New York booking agent, also served as booking agent for Helen Kane. According to Bolton, Esther began using nonsense syllables in her singing between 1926 and her arrival in New York in 1928. īy 1924, she was being managed by Lou Bolton. In her act, "Baby Esther" danced, made funny faces, rolled her eyes, and-most famously-interpolated nonsense phrases such as "Boo-Boo-Boo", "Wha-Da-Da", and "Doo-Doo-Doo". Esther was a trained scat singer, dancer and acrobat who performed regularly at nightclubs in Harlem and all over the United States in the 1920s. She was initially managed by her parents, Gertrude and William Jones. ![]() " Baby" Esther Lee Jones, originally billed as Little, Li'l or Lil' Esther, was a child entertainer who lived in Chicago, Illinois. Other evidence introduced at the trial included a recording by the Duncan Sisters and testimony from performers such as Bonnie Poe, Margie Hines, and Little Ann Little, who testified that she had been singing in a baby voice and using interpolations such as "bo-de-o-do" for several years. An early test sound film of Baby Esther's performance was used as evidence. Fleischer trial that Kane saw Baby Esther's cabaret act in 1928, in which Esther used interpolated words such as "boo-boo-boo" and "doo-doo-doo". Theatrical manager Lou Bolton testified during the Kane v. In 1932, when singer Helen Kane sued Fleischer Studios, claiming that they had appropriated her persona for the voice of the cartoon character Betty Boop, the studios defended themselves by arguing that Kane's style of singing-characterized by her baby voice and use of the phrase "boop-boop-a-doop"-was not her own invention. After gaining attention in her hometown of Chicago, she became an international celebrity before leaving the public spotlight as a teenager. 1918, date of death unknown), known by her stage names " Baby Esther", " Little Esther", and other similar variations, was an American singer and child entertainer of the late 1920s, known for interpreting popular songs with a "mixture of seriousness and childish mischief". ![]() ![]() ![]() ![]() Nick has been named a Rising Star in Business Litigation from 2014 through 2018 in Super Lawyers magazine. That type of litigation experience gives Nick the skills to represent our clients in a manner most beneficial to them. The amount in controversy ranged from thousands of dollars to millions of dollars. Prior to joining our firm in 2016, Nick was the lead commercial attorney at a firm where he handled hundreds of commercial matters. He assists clients with risk management, financial, and litigation prevention strategies. He drafts important business documents such as warranties, policies, and procedures. He prepares and reviews contracts to determine and avoid potential pitfalls in the event of issues or breach. Nick also counsels our businesses and hospital based clients in a variety of matters in Michigan and throughout the United States. He routinely handles matters at various exposure levels on his own and assists the partners at our firm with more complex cases such as wrongful death, catastrophic personal injury, and complex tort cases. His extensive trial experience and proven track record allows him to handle matters efficiently and in a cost effective way. He handles every aspect of the litigation process, including drafting and answering complaints, the entire discovery process, settlements, and trials. He practices at all levels of state and federal courts. Credits Image: Ian MacLellan Nick Schwartz likes to describe himself as a nerd with a heart. Nick’s practice focuses on commercial and consumer litigation, as well as the defense of medical, injury, and insurance lawsuits. The kind of engineering that I want to do is the kind that can change people’s lives for the better, says MIT senior Nick Schwartz. Nick has handled a wide variety of commercial disputes, including successfully litigating numerous breach of contract matters. During the course of his legal career Nick has focused his practice on civil litigation, with a strong emphasis on commercial, consumer, injury, and business litigation. New York Psychiatric nurse practitioners also have training that enables them to include psychotherapy with treatment.Nick is a Partner at Dolenga & Dolenga, PLLC. Psychiatric nurse practitioners are able to assess and diagnose mental health conditions and prescribe medication. ![]() Psychiatric nurse practitioners in New York, or mental health nurse practitioners, generally have an MS degree in nursing (MSN) and a number of years of training to become certified. Other related sub-specialties include cognition psychiatry, addiction psychiatry, psychosomatic, forensic, reproductive medicine specialties, psychopharmacology, psychiatric genetics, neuroimaging, and clinical neurophysiology. Those who work with the elderly are called geriatric psychiatrists. The field of psychiatry in New York has many sub-specialties, including pediatric psychiatry. Sometimes, Psychiatrists form part of a clinical team in which they will diagnose and prescribe, while psychologists or therapists provide the client's psychotherapy.Īs part of a clinical assessment, Psychiatrists may conduct physical examinations, take blood tests, and order and interpret lab tests and brain image scans, such as CT scans, CAT Scans, and MRIs. New York Psychiatrists differ from other mental health professionals in that they may prescribe medication as well as practice psychotherapy in treatment. A Psychiatrist in New York is a qualified medical doctor who specializes in treating mental health issues and diagnosable disorders. ![]() ![]() A stronger trucking workforce is one where trucking jobs are good, safe, and stable - jobs that employers can attract a new generation of drivers into while retaining existing drivers to deliver for clients and grow their businesses. The Administration is taking action, and now we are asking industry, labor, and all levels of government to partner with us to address these trucking workforce challenges and begin building a next generation trucking workforce. Reflecting that demand, wages for employed drivers in all trucking segments have increased 7-12% in the last year alone, but employment in some segments is still below pre-pandemic levels. At the same time, the industry reports historic demand for its services. Many truckers also bear the burden of gas, insurance, and maintenance costs, which reduces their take home pay, creating significant challenges in recruiting and retaining drivers with the right credentials and experience into today’s trucking jobs. That means about 40 percent of their capacity is not being used. According to one estimate, long-haul full-truckload drivers only spend an average of 6.5 hours per working day driving despite being allowed to drive a maximum of 11 hours. The pandemic exacerbated longstanding workforce challenges in the trucking industry, including high turnover rates, an aging workforce, long hours away from home, and time spent waiting–often unpaid–to load and unload at congested ports, warehouses, and distribution centers. But outdated infrastructure, the COVID-19 pandemic, and a historic volume of goods moving through our economy have strained capacity across the supply chain, including in trucking. A strong, stable, and safe trucking workforce that offers good-paying jobs to millions of truck drivers is a critical lifeblood of our economy. Seventy-two percent of goods in America are shipped by truck, and in most communities, trucks are the only form of delivery. America’s truck drivers have been on the frontlines of this pandemic, delivering goods to every corner of this country. Trucking plays a critical role in the U.S. Get Involved Show submenu for “Get Involved””.The White House Show submenu for “The White House””.Office of the United States Trade Representative.Office of Science and Technology Policy.Executive Offices Show submenu for “Executive Offices””.Administration Show submenu for “Administration””. ![]() ![]() our developers made sure that our Horror at Innsport cheats will let you enjoy the potential of this top action game in Horror at Innsport fans know that each player wants a better equipe or players. This new version of our Horror at Innsport Hack Tool will never make you run out of Coins anymore. Horror at Innsport is an exploration adventure game inspired by the works of H.P. īut there are few problems that most people encountered, outdated Horror at Innsport Hack cheats are one of them. Download Horror at Innsport and enjoy it on your iPhone, iPad, and iPod touch. 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Lovecraft, where players explore and investigate, putting together clues and solve puzzles to uncover the secrets of Wentsire Manor. Horror in the Darkness is a short exploration and puzzle solving adventure game inspired by the works of H.P. The game offers 100 rooms with different locations, and a piece of horror music makes it quite realistic. A Lovecraftian themed text-based role-playing mystery adventure horror game. The player needs to solve several puzzles to make progress through the game in this horror climate. The game has core features, such as First-person Perspective, Puzzles, 100 Rooms, Horror Climate, and Exploration. ![]() ![]() ![]() When it comes to assessing trends in their overall security, issues like user habits and third-party tools are where they start to differ. But both WordPress and Drupal are at the basic level equally “secure” CMS. The truth is, any open-source platform is going to have its fair share of security issues. However, developers or people with at least some basic coding skills might appreciate the flexibility Drupal offers that WordPress doesn't.Īt the end of the day, you need to find the balance between a CMS that you're comfortable with and is able to meet the needs of your business. ![]() With an intuitive user dashboard and code-free customization options, anyone with a computer can get a good-looking website online in a few hours. When it comes to user experience, there is a complexity-usability tradeoff when comparing Drupal vs WordPress.įor most people, WordPress is the hands-down winner in this category. Will one afford more opportunities for scalability than the other? How global is your customer base and how easy is it to provide support for different countries? However, you need to also consider your own website and how you plan to grow. Both Drupal and WordPress are fairly future-proof solutions. Will you be working on the site solely by yourself or do you have a team that needs access? If you need to provide access for multiple people, consider whether there need to be any restrictions in place for certain users. What do you want your site to look like? What would you like the user experience to be? Do you need to restrict access to any content? Are you dealing with multiple kinds of content? If you need to integrate third-party tools then check how compatible they are with your chosen CMS. It's worth noting that a good CMS on its own might not be able to provide everything you need for your site. Here are some factors to keep in mind when comparing Drupal vs WordPress: If you're not sure which CMS platform is the best option to build your website, carefully consider what your goals are for your site and what you need in order to accomplish them. Depending on what you are looking for in a CMS, chances are that one will be more likely to meet your needs or offer a better experience than the other. That said, choosing between them comes down to picking the right tool for the job. Since WordPress's evolution from just a blogging platform into a full-on content management system (CMS), there have been advocates on both sides. In truth, there is no clear winner in the Drupal vs WordPress debate. ![]() ![]() He is well-known for doing this difficult movement on the international stage. As you know, Lu Xiaojun has mastered the squat jerk. That is why you will rarely see an athlete perform this movement in a competition. The biggest drawback of the squat jerk is the big room for error. Some athletes might start with their grip slightly wider than usual, and as you become more mobile in that position, you can slowly bring their grip to an ideal width. The squat jerk could be a great exercise if you are trying to build strength and mobility in the overhead position with the squat jerk. Once you reach the tall standing position in the dip and drive, you aggressively push yourself under the bar, landing in a full squat position. The squat jerk catch position is a much shorter distance to travel than the split or power jerk. The narrow grip and precision of the overhead movement in the squat work a lot on shoulder stability and strength in a deep range of motion. The squat jerk is a great exercise to build shoulder strength, especially if you have mobility. Squat Jerk Benefits Builds Shoulder Strength It’s an excellent strength-building and high-power movement. The main muscles worked include the back (upper and lower), the shoulders, glutes, quads, and hamstrings. The squat jerk is an exercise that will work all the major and minor muscle groups in your body. Some athletes might switch to the squat jerk as their main competition lifts after years of practicing the split jerk due to instability or being hyper-mobile in this movement. If you are mobile enough, the squat jerk can be a great accessory to your training when adding exercises to build shoulder strength and work on stability overhead. The squat jerk is performed by athletes who can handle the degree of difficulty of the lift and have the mobility to do so. However, some athletes do perform the squat jerk. This movement is rarely done in competition due to its difficulty and significant room for error. You will punch/block the bar overhead with straight arms with the head in front of the arms. You will jump out slightly with your feet and catch the bar in the full squat position, and this is where mobility and precision play a significant role. You will then drive the bar upwards and simultaneously drive yourself under the bar. Once you reach the tall position, you will move into a triple extension which means an extension of the ankles, knees, and hips. Now that you have the bar in a secure front rack position, you will take a deep breath, keep the torso as upright as possible, dip and drive straight down (knees slightly out and keeping the feet grounded with the force displaced through the whole feet) and straight up. ![]() The feet will be hip-width or slightly wider than hip-width apart, and your toes will be faced slightly outwards. You will place the bar in the front rack position after a clean or from a rack or blocks. ![]() The bar will sit comfortably on the shoulders, with an upright torso and elbows facing slightly down from where it was with the clean.įacing the elbows slightly down helps the bar move in a straight line, and it will be easier to get from point a (front rack position) to point b (the overhead position). Just like the split or power jerk, the squat jerk will begin in the front rack position. ![]() |